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Sportfight 24 – Blood on the Canvas

September 20, 2008 No comments

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It’s beyond me why the Rose Garden Arena isn’t completely packed for SportFight 24. For four and a half hours fighters pounded it out in an evening filled with action, sport and blood. What more could you ask for from a Friday night out!? It’s hard to imagine what kept the Rose Garden from being as full as a match up between the Winterhawks and The Seattle Thunderbirds. Is it the expensive $8 a cup Rose Garden beer that kept people away? The 7pm Friday night early start time? Or the fact that it was broadcast live on HDNet? Whatever the reason, many Portlanders missed out on a fantastic, unmediated top class sporting event that can be experienced by watching it on TV. Fans who opted to watch the matches at home on HDNet missed some of the best action of the night as the untelevised under card fights proved to be stronger and more exciting than some of the main bouts.

Sportfight 24 started with a bang with two extremely strong under card fights. Marques Daniels made quick work out of Joshuah Lagrange with a rain of punches that caused the ref to jump in and stop the fight (one of the few fights of the night stopped this way). That fight was followed by the much hyped Colt Toombs and Colin Porter bout. Toombs is “Rowdy” Roddy Piper’s son and he clearly had the support of the crowd (who chanted “Piper, Piper”). Early on in the fight Toombs got into trouble, taking a number of hard shots, his face began to well early. Toombs then got caught in a rear naked choke that looked it was going to end the match and put a damper on some of the the hype surrounding Toombs. Choke well set Toombs gave the ref a thumbs up and then proceeded to find his way out of the choke, he then reverse it into a dramatic choke of his own to win the fight. It was one of the more explosive moments of the evening and it kept the buzz turned way up for Toombs.

After the first two solid fights things stayed on the ground for several of the middle matches. After an arm bar win by crowd favorite Tyson Jeffries, four of the next bouts went the full three rounds and almost all of them ended by decision. It wasn’t until the fight between DJ Linderman and Mychael Clark that things started to heat up. Clark displayed flamboyant martial arts styling with spin kicks, supermans and other ‘showy’ moves, but it was Linderman’s consistent strength both on his feet and on the ground that made him a clear contender for the win. Linderman looks pudgy, but after three rounds he barley seemed winded. Taking a solid unanimous decision Linderman showed he’s a fighter not to be underestimated.

My favorite fight of the evening was the Mark Miller, Mike Pierce bout. Mike Pierce, who fights out of the Braveheart Gym didn’t find much support in the pro Team Quest crowd, but even his harshest critics couldn’t help but notice the absolute precision in Pierce’s fight. I saw Pierce fight in a previous Sportfight and it’s clear he’s put his time in training and refining his skills. Like a surgeon Pierce took Miller apart. One blow opened a huge cut on the top of Miller’s head and blood streamed out in a flow that made Miller look like something out of a Rob Zombie movie. The fight was stopped so that they could assess Miller’s injury and much to the surprise and delight of the crowd they let the fight continue. Step by step Pierce pushed the fight in the direction he wanted it to go, with control of almost every position on the mat Pierce showed that he was clearly the better trained fighter. In the end Pierce won by TKO and Miller’s cuts became too severe for him to continue. Of all the fighters who fought at SportFight 24, it’s Pierce who showed the most promise and his fight was worth the price of admission.

The feature title bout between Enoch Wilson and Brian Gearahty wasn’t as exciting as the Pierce/Miller bout. Gearahty gave Wilson a lot to handle for four rounds, locking him up and pressing submission attempt after submission attempt. Four rounds into the fight it was clear that Gearahty had done just enough to win a few rounds but not enough to take Wilson’s title away from him. Ultimately Wilson prevailed with an earth shattering, late fourth round, punch that left Wilson dazed in the corner. Wilson gave a gladiator roar as he pounced around the ring, sticking around long after the bout was finished to celebrate.

It’s exceptional to live in an area with such easy access to high quality Mixed Martial Arts and a shame more people aren’t taking advantage of it. The athletes fighting out of Team Quest and Braveheart gyms have the foundation to carry them to national attention, and for just a few bucks you can catch them live and in person.

Categories: MMA Tags: ,

Mike Daisey – If You See Something, Say Something

September 15, 2008 1 comment
Mike Daisey in If You See Something, Say Something

Mike Daisey in If You See Something, Say Something

This year at TBA I had a little mini “Mike Daisey Festival“. I saw Mike Daisey perform his ‘MONOPOLY!‘ early on in the fest, then attended a companion workshop ‘extemporaneous, autobiographical, monologue’ and finally finished with ‘If You See Something, Say Something’ at the end of the festival..and I enjoyed every minute of it.

After seeing Monopoly!, I attended Daisey’s workshop. It was a lot like watching the behind the scenes content on a DVD. Daisey opened window into his work, his process and the art form of monologue. One of the key points Daisey emphasized is “there are no messages in good extemporaneous monologue”. This perhaps is the key to why Daisey’s pieces work so well. Daisey deals with incendiary topics in his work, rather than rant and rave, beating the audience over the head with messages, he deals with core themes and trusts his audience enough to process that material and make their own conclusions.

In the workshop, Daisey also emphasized the importance of imperfection in art, a concept which spoke to me. “If you smooth away the edges you leave no point of entry to your work,” Daisey remarked. “Hamlet is a truly fucked up play. If I submitted it to a MFA program without including who wrote it, they would smooth out the edges to make it ‘better’…I mean why doesn’t the ghost of Hamlet’s father come back, we need to have him come back… and what about these fucking Pirates!” Daisey teaches weekend long workshops in New York and after getting a two and a half hour taste I’d say it’s required education for anyone pursuing a career in monologue.

After the workshop I had the opportunity to see Daisey’s newest piece. If You See Something, Say Something previewed at this years TBA festival prior to its run at The Public Theater in New York (Wednesday, October 15 – Sunday, November 30). If you See Something is a poignant and engaging musing about security, what makes us feel safe and how governments use fear as a leverage point. Like many of Daisey’s monologues, this one weaves several stories together to form the whole including: Daisey’s trip to Laos Alamos in New Mexico to see ground zero at the Trinity Site, the story of Sam Cohen and his involvement with both the Atomic and Neutron bombs, the complete history of Homeland Security and 9/11.

What struck me the most about If You See Something, Say Something was just how many levels that it played on. The audience roared with laughter as Daisey exploded with self effacing comedic moments including eating the worst hamburger in history and then barely uttered a breath as he talked about the dropping of the atomic bomb on Hiroshima and Nagasaki. True to form, Daisey doesn’t beat his audience over the head with messages about how bad Homeland Security is or the insanity of the Patriot Act, instead he dissects the history of both and muses on the relationship we all have with it.

If You See Something, Say Something is an exceptional monologue and Mike Daisey has shown this week that he is one of the premiere monologists performing today. Daisey hinted that he may be back again in Portland in the near future and mentioned an off the record piece he’s proposing for a future TBA, I can’t wait.

Categories: Theater Tags: , ,

KNRK – It’s Absolutely Not Different Here

September 10, 2008 No comments

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It was late, well past midnight and it was the last day I was going to spend in the San Francisco Bay Area before heading off to college. I had called in to Live 105 and was chatting with Big Rick Stuart who was jockeying between our phone call and the on air play. Rick came on the air and wished me a safe trip and played a song to send me off. That was the kind of radio station Live 105 was.

Mark Hamilton was a DJ at Live 105. He was the voice you’d also hear promoting the DJ’s spinning tunes down at One Step Beyond or The X nightclub. He was surrounded by great music and great people. So it was a fantastic revelation (Back in 1994) to find that he landed here in Portland at the very young KNRK. I met him at one of the early KNRK snowball shows, the one with Everclear and No Doubt. He seemed like a great guy.

Unfortunately it seems that Mark has forgotten what makes a great radio station. Over time he tweaked the playlist favoring retreading bands like Sublime over debuting new music and new artists. Sublime might be a slightly notable band but I doubt they should be continually haunting the airwaves of an alternative station.

Recently KNRK did a major revamp to their playlist, out was most of the new or truly alternative music (except for bands coming to town in KNRK sponsored events) and in were classics. KNRK effectively remade themselves into a Rock Mix station. The switch started gradually, with ‘classic alternative’ artists like David Bowie. Listen to KNRK for 2 hours and you’ll hear classic Bowie at least once….Then came bands like The Cars and Tom Petty. Tune in enough and you’ll wonder if KNRK hasn’t fused with KGON. At times even KUFO is more alternative… Which is sad.

Perhaps KNRK is a victim of its own success. Late last year their morning show with Greg Glover began to beat the competition. Perhaps that taste of popular success fueled them on to chase the popular audience. But what used to be a fairly descent alternative station is gone. Many of the good people are still there. Greg is smart guy, knows his music and takes risks (Listen to his Bottom Forty Sunday Nights). Gustav is still the friendliest face of the station, his perfect playlist and track 7 show he wants the station to be a good one. Tara is just plain great, she knows what’s going on, but she’s as powerless to fix it as anyone.

It all boils down to Mark Hamilton… Program director. Who has made a major misstep with the station by building a playlist that simply isn’t alternative. At my home office I’ve switched of KNRK and listen to KEXPonline. KEXP, based in Seattle, ironically is the station supporting MusicFest NW (while local KNRK is notably absent). I hear new music via myspace and am more likely to fire up my mp3 player than my radio…

Next year Community Supported KZME 91.1 is set to launch. If KZME follows KEXP’s model it could give KRNK a serious run for its money. Until then fans of alternative music need to email Mark Hamilton and let him know that the playlist changes aren’t welcome, and remind them what ‘It’s Different Here’ really means. KNRK keeps saying it’s YOUR station… So tell them what YOU want.

Categories: Music Tags:

Monotonix at MusicFest NW

September 8, 2008 No comments
Monotonix at MusicFest NW

Monotonix at MusicFest NW

It’s taken me a few days to process what happened at Satyricon on Friday night as part of MusicFest NW. It was one of those situations that was so outrageously amazing that after it’s over you begin to doubt if it actually happened.

Growing up in Northern California I was blessed by a phenomenal music scene. Concert promoter Bill Graham helped make San Francisco mecca for rock shows. With my varied interests in music I’ve seen a lot of very different shows in a wide variety of venues. Few shows have left me as mouth-open-awe-struck as the Monotonix show at Satyricon.

I had heard tales from friends who had seen Monotonix live: drummers body surfing, instruments set ablaze and all around insanity. It was my friend Ian Jane who most emphatically insisted I see them perform… I don’t know how I’ll ever thank him.

Many bands are known for their onstage antics. It’s the very showmanship which earns bands a following when they play live. You go to a U2 concert, not because the music is great (although it is), but for the amazing show that they put on. Some bands are all about show. Kiss rocks, but would you really go see them if they played without the grease paint and pyrotechnics? Would Hannah Montana be the same without the four story video screens? What Monotonix did in their Friday night show went far beyond antics or showmanship, it was a complete musical revolution.

From the first note of the show Monotonix declared their musical independence. Rather than setting up their instruments on stage they put them right in the middle of the show floor. Everyone encircled them as they assembled their drum kit and plugged in to their amps. Then it happened, like an explosion Monotonix filled every corner of the room with their music, the entire (and I do mean entire) club erupted in dance.

I’ve been in my fair share of mosh pits in my time (the most memorable was Pantera when they played in Watts/Los Angeles), but I’ve never been in a pit that included every single person in a club. Also the ‘pit’ at the Monotonix show was unlike any pit I’ve been in before. Rather than people pushing and shoving eachother, elbowing and flailing, the entire room bounced and danced together.

As Monotonix played you could see the sheer glee on the faces of everyone in the club. Monotonix somehow was re-capturing something that we all thought was lost – a real, honest to goodness punk rock show. True punk has become extremely rare, there are many bands out there trying to be punk rockers, emulating the bands which came before them, but so few simply ARE Punk. Monotonix is punk.

It’s impossible to capture what happened that night…This is the best I can do:

Flying through the air lead singer Ami Shalev crowd surfs as he sings, pausing only to climb up to a high ledge on the ceiling of the club. A trash can is bounced around, water is flying through the air. The high hat is kicked over and promptly reset. The guitarist leaps up onto the stage and then jumps back off. Nothing in the room is still. After a few songs the band picks up their instruments and moves them further to the back of the club and the circle of people follow.

“Sit Down”, “Everybody Sit Down!” yells Ami, and miraculously everyone listens. I am drenched in sweat, I am thirty seven years old and haven’t been in a pit in years. I am half leaning and half supporting the people around me as we sit on the floor of Satyricon. Ami thanks everyone for being at the show and then instructs everyone to wait till he counts to four till they jump up and dance. “One… Two… Seven…. Nine…. Five…. What comes after Three?!?!”, everyone yells “FOUR” He says, Wait for it!”… and then “FOUR”. Again Monotonix is an explosion of sound.

A few songs later they’re heading towards the door. Stretched way past the end of their amp cables, so they unplug, carry their instruments outside where Ami climbs a tree, moons everyone and makes a speech. The drum is lifted with the drummer on top and he bangs on it. The concert ends in a street side celebration of music.

Everyone stood, mouth agape looking at eachother… “Did this just really happen?” “Oh my fucking God!”

The Monotonix show was one that people will talk about for years, it’s the kind of show that you thank your lucky stars you were at or curse the sky that you missed. Monotonix returns to Portland at the end of the month with The Silver Jews at the Wonder Ballroom. They are not to be missed

Categories: Music Tags: ,

Leesaar The Company & Mike Daisey – Simply Amazing at TBA 08

September 7, 2008 No comments
LeeSaarr - The Company

LeeSaarr - The Company

The buzz you’re hearing about TBA is all true. Portland’s Institute for Contemporary Art has continued to build on its success by attracting world class talent and creating an artistic epicenter that should not be missed.

This Saturday night I caught two TBA simply amazing TBA performances:

Leesarr The Company – Geisha

Geisha opens with dancer Jye-Hwei Lin, dressed only in a pair of blue jeans, who dances and moves around the bare stage to no music. This opening piece sets the stage for what it to follow. Lin’s bare chest creates a musical canvas with which she uses every inch. Each breath, tilt, movement is carefully cherished in this dance.

Lin’s dance is beyond captivating. As she holds a pose, arms stretched out, body nearly frozen, she waves her fingers as if they’re caught in the breeze. This tiny movement on a huge stage is as loud as the leaps and twists which later follow in the piece.

Lin’s stark opening dance is followed by Lee Sher, wrapped in a silk robe, she serenades the audience with Israeli pop music (lip synchs to a concert track which includes audience cheering). This interplay between the dance and Sher’s pop serenade gives the piece a fascinating contrast and breaks up the quiet and tiny universe which opens the piece.

After several scenes Lin is joined in her dance by Saar Harari who mirrors Lin’s dance and sexual energy while transforming the moves and energy from female to male. What follows is an electrifying dance between Lin and Harari which each dancer wrestles with whose dance it is. Lin pulls back in elements of her solo dance and Harari transforms those elements.

The two dancers drift between synchronization, responsive dancing and stillness. As the piece build the two dancer’s orbit draw closer and closer. As an audience member you’re pulled into this dance, waiting, hoping, wishing that the two worlds will collide. But just as this anticipation comes to a crescendo it’s interrupted by another song from Lee Sher.

I won’t spoil the ending of this piece, the ‘will they, won’t they’ drama is part of the whole excitement and I think it would be a disservice to clue you in on the ending. But I was amazed at the end of the piece just how sucked in to the drama I had become. I’ve seen a good amount of modern dance but never anything so deliberate, passionate and amazing as Leesarr’s Geisha. This is the kind of work that could awaken a love for modern dance. Leesaar performs Geisha one more time (Sun Sept 7 8:30pm at Lincoln Hall/PSU) be sure not to miss it.

Mike Daisey – MONOPOLY!

Mike Daisey in Monopoly

Mike Daisey in Monopoly

I saw Mike Daisey perform his monologue “21 Dog Years, Doing Time @ Amazon.com” when he brought it to Portland in 2005. I found 21 Dog Years to be a funny, amusing and entertaining monologue, worth every penny of admission. It was enough make me want to see Daisey again when I heard he was returning with TBA.

Something has obviously happened to Daisey over the past three years, because what he did at Portland Center Stage’s Gerding Theater was nothing short of landmark. As guest festival director Mark Russel introduced Daisey he mentioned that the desk and chair on stage belonged to Spalding Gray. As he said this I gasped. To me it’s almost unthinkable that another performer, outside of a Spalding Gray tribute show, would be permitted to use Gray’s trademark desk and chair. Russel commented that he and Eric Bogosian felt that there was no one better than Daisey to be permitted to sit behind that desk… and they’re right.

When Spalding Gray died I thought it was simply the end of an art form. Great monologists are few and far between and I doubted that anyone would ever really be able to follow in Gray’s footsteps. I was wrong. Mike Daisey is Gray’s heir apparent. His monologue MONOPOLY! is one of the smartest, funniest and well crafted piece I’ve seen on stage. Daisey’s mastery of which story to tell when and his deep understanding of metaphor as commentary echoes some of the very best work of Gray. But Daisey isn’t doing a Grey impersonation. His style, cadence and narrative are uniquely his own.

MONOPOLY! weaves several stories together including the history of Nikola Tesla, Daisey’s attempt to mount an avant-garde theater piece featuring a Tessla coil, the history of the Monopoly board game, his experience with a Microsoft industrial video shoot, his family in Maine and the impact of the local Walmart on the town. Daisey’s weaving of the stories is pitch perfect and he uses the interconnections of them to express the core themes of the piece.

MONOPOLY! is extremely entertaining and laugh out loud funny. It plays one more time at the festival (Sun Sept 7 8:30pm at Gerding Theater at the Armory) and then later in the festival he performs a new monologue If you See Something, Say Something that I will absolutely be seeing.

Categories: Theater Tags: , ,

Monotonix in Portland

September 6, 2008 No comments

Tonight MusicFest NW featured of the best shows on a stage in Portland. It was truly punk. It was crazy, wild wonderful and simply amazing.

I’ll have a complete report soon. Here’s a sampling from the show.

David Walker at Badazzmofo.com who was at the show and captured these videos:


Categories: Music Tags:

Can You Please Not Sing Along With The Music??!?

Vampire Weekend
I can’t say I’ve ever really been much of a fan of Vampire Weekend. When I hear their music I can’t help but hear how they’ve clearly lifted their musical influences (they’re a simple mix of 80’s ska band and Paul Simon). I had a spot in my MusicFest NW schedule so I decided to see what all the fuss was about. Could they deliver something live that expanded beyond the affable tunes on their debut album.

As I stood there tapping my toe to the music, realizing that the ‘we sound just like the album’ show wasn’t going to win me over an argument broke out between concert goers.

Could you PLEASE not sing along to the music!

While it wasn’t quite an altercation, the ‘discussion’ soon heated up into a full blown argument. The behemoth of a guy standing in front of me (and blocking much of my view as he constantly leaned over to give running commentary to his date) puffed his chest and looked like he’d charge at the scrawny guy who was belting out the words to one of his favorite songs. Could there actually be a fight over the right to sign at a rock concert?

This wasn’t the first time I had experienced something like this. When Arcade Fire came to town I was sitting up in the balcony. The couple next to me jumped up and started to dance to “Rebellion (Lies)”, soon after the couple behind them hollered over the music for them to ‘sit down’.

This whole phenomenon is astounding to me. I grew up in an era of music that measured a good show by how much you jumped around, sang and danced. A truly great concert was once which swept you up and made you a part of it, made you forget that you had shelled out some dough to watch someone stand on stage for a few hours and bang on instruments.

Music has changed, it’s become much more personal. Rather than getting together and ‘putting the record on’, people now listed to more of their music through little white iPod earbuds. It’s a pristine, unencumbered and solo musical experience which doesn’t translate when that music is transformed and shared by a large room full of people.

The iPod generation has had its impact with artists as well. Vampire Weekend played an extremely clean show, rarely deviating from their recorded songs. In many ways their reproduction of their pristine sound helps make them a hit with the crowd. It’s a neat and tidy relationship.

Soon after this incident I went down to Satyricon and saw the Israeli Punk Band Monotonix. It was the complete antithesis. As the entire room jumped and danced with the music, collided and collectively sweat I was reminded why I used to love to see music live. You go to a concert for the same reason you see a comedic movie with an audience, to share that experience. Something happens when people come together to share the music they love and I hope that the iPod generation can get educated about that.

Categories: Music Tags: ,

Musicfest North West and Time Based Art Festival – TBA '08

September 4, 2008 No comments
Time Based Art at The Left Bank Project

Time Based Art at The Left Bank Project

Tonight two major arts and entertainment festivals had their kick-off events. Both showed that Portland is big enough to support two huge festivals, even when they run at the same time.

I started the evening at MusicFest NW, their kick off party was an outdoor cocktail party in the lot next to the Wonder Ballroom. Less of a scene than a gathering, the party was most notable for the extremely long line for the open bar. The bar line was almost as long as the line of people waiting to get in to see the bands. Did I really wait fifteen minutes for a shot of Soco?!?

I caught the Battles whose set was well received. As I listened to their mostly instrumental music, I couldn’t help but think “Music Geeks”. The Battles play with passion and energy but their music often is over-thought and muddled. I enjoyed some of their songs but wasn’t ever pulled out of my ‘hey I’m watching a music show’ space and so my aside from some toe tapping and light head bobbing the set left me a little cold. I was surprised at how many people brought kids to the show. Maybe mathrock is something that appeals to kids.

Just a hop skip and jump away at the new Left Bank Building PICA launched their Time Based Art festival with a warm and welcoming party. The party was open to anyone and everyone and the scene was a nice mix of people. The Left Bank Project (which is dubbed ‘The Works’ for the TBA Festival) is a very cool venue with so much space that there were tons of nook’s and crannies to explore. One area’s tenant was a version of Backspace Cafe just for the fest. Also a nice patio area featured a work in progress by Justin Gorman whose large format graphic painting was fantastic to see in progress.

Some of the other art, including Big Skin by Lizzie Fitch, Anna Halprin’s Blank Placard Happening and the Flash Choir were solid misses. (Perhaps the Flash Choir would have done better performing in the outdoor space).

A solid start though to two landmark Portland festivals

Categories: Events, Music Tags: ,

Nutshell Restaurant in Portland is Screwed

September 1, 2008 No comments

Even Bigfood Would Be Bummed

Even Bigfood Would Be Bummed

The restaurant started out of a simple proposition – create a unique place which served gourmet food that used fresh local and natural ingredients and didn’t have any animal products. The words VEGAN weren’t plastered across the sign or on the menu. The food was just Vegan by nature. The restaurant had its roots in a series of very successful Vegan family dinners run by then Tabla chef Sean Coryell. Coryell went to great lengths to produce intricate and flavorful dishes using a wide range of exotic ingredients. Speaking with Sean at those family dinners you’d hear his absolute passion for the food.

Coryell enthusiasm fueled a nearly year long effort to build Nutshell. Opened in late 2007 and located on North Williams, Nutshell won raves from the Veg community and even won over some hardened omnivorous Portland foodies. But no sooner had it opened than the signs began to show that things were not well behind the scenes. An ever changing menu and constant experimentation by Coreyell and almost manic fascination with expanding the restaurant to Tokyo, Hawaii… “global man” created an environment where food could be extremely hit or miss.

Coryell’s departure from Nutshell marked a significant change. The menu with a thousand revolving dishes was simplified down to just a handful, the portions cut back significantly and although the restaurant was built with an open kitchen as its centerpiece the men and women in the kitchen made it perfectly clear they were all about business.

This week Nutshell made another turn. With rumors circulating about its demise and increasing complaints about the food and service Nutshell added butter, eggs and cheese to just about every dish on the menu (There’s even an egg on their pizza). With a bad taste already in their mouth this move infuriated the Vegan community and signaled another clear step towards the end of this once beloved eating establishment.

So what went wrong? Were Coryell’s eyes too big for the patron’s stomach? Did the Tabla team bungle things behind the scenes as they did with the Ten 01 opening? Or is it too much to thing Portland can sustain a gourmet vegan restaurant? (or even a Vegan Strip Club?) I think Portland can absolutely sustain Vegan restaurants, even a gourmet one, but like all restaurants they need to be well run. Just because something is Vegan doesn’t mean it’s going to be an immediate success and adding eggs to your plates doesn’t mean you’ll stay afloat. I’ll be surprised if Nutshell didn’t shutter its doors by the end of the year or completely reinvent itself (ala Ten 01).

Categories: Food, Vegan Tags: , ,

Laughing Planet – Good Solid Eats

August 13, 2008 No comments

laughingplanet I met my friend David Walker today at Laughing Planet on Belmont for lunch. I’ve been to the restaurant many times but today as we were finishing up our lunch it struck me how much I enjoy eating there and just how consistently dependable it is.

What makes Laughing Planet works so well is that they’ve got a very simple concept – healthy bowls and burritos with lots of options. Being Vegan I appreciate just how many vegan friendly choices they have on the menu, and with a fair share of meated options it’s an easy choice when meeting a friend whose omnivorous. I also like that you can add tofu or tempeh to any of their options. Although I’m Vegan I can’t say I have much love for tofu. It’s “OK” and if prepared right I can enjoy it. I enjoy the tangy almost nutty taste of tempeh much more and always feel more full than when scarfing down tofu. I’m also a fan of seitan and it’s various ‘fake meat’ forms.

Its easy not to appreciate some of the good things in life, especially places we visit on a regular basis. They fade into the fabric of things and so it’s nice to just stop for a moment and say… Wow, this place is really something…I’m glad its here!

Categories: Food Tags: , ,