Archive
Portlandia, or How I Learned to Stop Worrying and Love Portland
When they first announced that Fred Armisen and Carrie Brownstein were going to be shooting a half hour sketch comedy show in and about Portland, I really didn't think many people would pay attention. I mean, who actually watches IFC? Apparently the answer is a lot of people. Here we are a year later and the show, in its second season, is extremely popular.
When I travel, one of the most frequently asked questions I get is, "Is Portland really like Portlandia?" Yes, yes it is. Portland is an odd little city; in fact, I don't see it as much a city as I do the biggest town in America. Portland is intimately connected with other parts of the country (we seem to have something of an affair going on with Brooklyn), and yet at the same time we're fairly isolated. People think we're close to Seattle, but those same people have never made the schlep up the I-5 – it isn't close. Read more…
One Night With Janis Joplin Review
One Night With Janis Joplin
The concept behind Portland Center Stage's production of One Night With Janis Joplin is a good one: bring the Janis Joplin concert experience back on stage and give modern audiences a taste of what it was like to see her in concert. Unfortunately, the production, created, written and directed by Randy Johnson, is one big hot mess. Johnson has a fairly impressive resume with a number of other stage music re-experiences including Elvis The Concert, Always Patsy Cline, and Conway Twitty – The Man The Music and The Legend. Johnson also has extensive experience directing actual concerts and tours. All this experience, however, doesn't result in a good show.
One Night With Janis Joplin suffers on a number of fronts. The first and most serious issue with the show is an absolutely horrible script. The play never can make up its mind if it's a singular concert experience or a journey through Janis Joplin's life. Many of the monologues that happen between or during songs are just one step up from ramblings. In the first act many of these monologues focus on "The Blues" and the other artists who influenced Joplin. Johnson seems obsessed with these influences and at times the show feels like it's more an essay on The Blues than a show about Joplin herself. This obsession manifests itself in the creation of another character who wanders in and out of the show, 'The Blues Singer'. This character comes on stage to represent many of the women who influenced Janis Joplin's music. The role is voiced wonderfully by Sabrina Elayne Carten, whose rendition of classic Nina Simone, Bessie Smith and Aretha Franklin songs are some of the absolute highlights of the show. Read more…
Why I Am Cancelling The Oregonian
Oregonian
There's a point in almost any bad relationship when you know you've stuck around longer than you've should have. The moment came when you should have broken up but somehow you thought things might change, that whatever was weighing things down would dissipate if you only waited it out. This is how I feel about The Oregonian.
I first started to subscribe to The Oregonian in 1993 when I first moved to Portland. It was our first connecting point to the news of our new home. The Oregonian in 1993 was a mighty thing, with staff writers and columnists galore. The paper stood as many things in Portland do: much stronger than you'd expect for a city of its size. Flash forward 17 years and you have a paper in absolute ruin. Where once stood a Business section is often a single page of wire reports and cobbled-together news bits. Where once there was insightful and award-winning investigative journalism, you now have reporters using anectodal information; my favorite was for the story Construction of downtown Portland high-rise is halted by tight credit in which "reporter" Ryan Frank says, "Real estate brokers had taken to saying that Park Avenue West would be built by the "Bank of Tom Moyer." No source, no quote, no real reporting.
The Oregonian suffered like most papers in this country as the economy faltered and news migrated online. But I stuck it out. I tried to look past the fact that more and more of the paper was comprised of news articles that came off the news wire. It became harder when I started to see wire articles appear in the paper that had been online for days and some times weeks in advance. Again, a sign of the economic times.
With belt tightening at The Oregonian came another clear trend: articles that were going to print without being proofed. Over the last year we've played a game at the breakfast table, reading aloud some of the headlines and articles from The Oregonian to our two grade-schoolers to see if they could spot the glaring grammatical errors. They almost always can. Read more…
Legally Blonde The Musical in Portland
Legally Blonde The Musical
It's refreshing, from time to time, to treat yourself to a night of entertainment that is simply fun and lighthearted. This is what you can expect from Legally Blonde The Musical. The 2001 film starring Reese Witherspoon has been adapted for the stage, infused with music and dance, and is touring February 16-21 here in Portland as part of the Broadway Across America series.
The premise is simple: college sorority president and blonde bombshell Elle Woods has everything going for her – perfect clothes, perfect friends, perfect boyfriend/future husband Warner Huntington III, until said boyfriend heads to Harvard Law and dumps Elle for someone more "serious", Vivienne Kensington. Determined to get her man, Elle manages to get herself into Harvard and sets a plan into action to get Warner back. It never occurs to her that she could fail, that no one will take her seriously, or that she might fall for someone else.
The role of Elle Woods is played, for the majority of the Portland run, by Becky Gulsvig. She keeps up with the high energy demands of the role and has a striking resemblance to Reese Witherspoon. For those of you planning to see the show later in the run, I would shoot for one of the performances on February 20 and 21 to see Portland native and Tigard High grad Kathleen Elizabeth Monteleone in the role of Elle. I wish I could have seen a show with her to see some local talent.
Most of the rest of the cast are what you would expect from a traveling show. The vocals vary, some performances are stronger than others, and they double and triple up on actors playing multiple roles (not my favorite). When it comes down to it, however, this is a musical based on a fairly silly romantic comedy, so you have to keep that in mind and just enjoy the spectacle. The show does have some very funny and cute moments, like the first time Elle's chihuahua, Bruiser, runs on stage and delivers "lines", the marching band and cheerleaders at Elle's admissions interview at Harvard, the "Take It Like a Man" number during which Elle's law school friend, Emmett Forrest (played by D.B. Bonds) changes clothes on stage behind a tiny changing room door, and the courtroom scene with the entire ensemble singing "Is He Gay or European".
An upbeat, spirited production, and dizzying number of pink costumes, Legally Blonde The Musical is entertainment that lets you just turn off your brain and enjoy.
Legally Blonde Runs at The Keller Auditorium 2/16-2/21. Get more info from the Legally Blonde The Musical National Tour Site.
- @PDXHeather
Travel Portland – The Best of Portland Video
Travel Portland has put together a fantastic look at the city of Portland. I think it sums up some of the amazing things that makes Portland, Portland and why it's becoming one of the premiere travel and tour destinations in the US.
To keep up with the Best of Portland:
- Follow @OnPortland on Twitter
- Visit Travel Portland
Recent Comments