TBA:09 in Review – locust crushed

TAfter the massively disappointing Meg Stuart show, I had a pretty large unfulfilled craving for good modern dance. That craving was more than met with locust, whose energetically explosive performance 'crushed' swept me up and left me waiting more.  Locust mixes many styles and mediums to bring together a collection of non-narrative dance segments that connect through patterns of movement and theme.  Accompanied by a beat boxer, music (both live and recorded) and video, locust blends classical and modern moves with explosive energy.
What struck me the most about locus and their piece 'crushed' was just how talented all the dancers in the company are. The dancers seamlessly transition between pirouettes and Michael Jackson crotch grab and then back to full balletic spins. This talent is combined with great group chemistry which results in ensemble dance numbers that are in equal balance to the individual ones. Video, when used wrong, can be quite a distraction from a modern dance piece, but locust has a strong sense of its place and the opportunity it can provide.  My favorite use of video came mid way through the piece with a static shot down a long dim hall. The dancers use this video to create an environment on stage and then build on it. Shadowy video dancers mimic the movements on stage, sometimes in time, sometimes out of time, creating a fantastic bending of time and expectations. The piece toys with the concept of live and recorded with so much explosively live energy it stands as an exclamation point on any sentence exalting live performance.
I enjoyed locust's crushed so much I'd not only recommend it, I'd definitely consider seeing it again.
locust crused at TBA:09

locust crused at TBA:09

After the massively disappointing Meg Stuart show, I had a pretty large unfulfilled craving for good modern dance. That craving was more than met with locust, whose energetically explosive performance 'crushed' swept me up and left me wanting more.  Locust mixes many styles and mediums to bring together a collection of non-narrative dance segments that connect through patterns of movement and theme.  Accompanied by a beat boxer, music (both live and recorded) and video, locust blends classical and modern moves with explosive energy.

What struck me the most about locust and their piece 'crushed' was just how talented all the dancers in the company are. The dancers seamlessly transition between pirouettes and Michael Jackson crotch grabs, and then back to full balletic spins. This talent is combined with great group chemistry which results in ensemble dance numbers that are in equal balance to the individual ones. Video, when used wrong, can be quite a distraction from a modern dance piece, but locust has a strong sense of its place and the opportunity it can provide.  My favorite use of video came midway through the piece with a static shot down a long dim hall. The dancers use this video to create an environment on stage and then build on it. Shadowy video dancers mimic the movements on stage, sometimes in time, sometimes out of time, creating a fantastic bending of time and expectations. The piece toys with the concept of live and recorded with so much explosively live energy it stands as an exclamation point on any sentence, exalting live performance.

I enjoyed locust's 'crushed' so much I'd not only recommend it, I'd definitely consider seeing it again.

For more info on locust 'crushed':

Geoff Kleinman

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