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Mary Poppins The Broadway Musical in Portland Review
Mary Poppins Broadway Musical in Portland
Mary Poppins is one of Disney's most successful and iconic movie musicals, featuring a number of unforgettable songs and a story that has easily withstood the test of time. It's slightly head-scratching given this that Cameron Macintosh, famed producer of mega hits like Cats, Les Miserables and Phantom of The Opera, would want to mess with something that already works so well.
The stage adaptation of Mary Poppins is one part re-imaging and one part preserving the classic film. It's a mix of the elements from the film we know and love, and new songs and material that has been added in to expand the film into a Broadway musical. The problem, though, is that the film didn't really need much expanding; running close to two and a half hours, if the movie version of Mary Poppins ever had any real issue, it was that it's a little long for younger kids. Read more…
One Night With Janis Joplin Review
One Night With Janis Joplin
The concept behind Portland Center Stage's production of One Night With Janis Joplin is a good one: bring the Janis Joplin concert experience back on stage and give modern audiences a taste of what it was like to see her in concert. Unfortunately, the production, created, written and directed by Randy Johnson, is one big hot mess. Johnson has a fairly impressive resume with a number of other stage music re-experiences including Elvis The Concert, Always Patsy Cline, and Conway Twitty – The Man The Music and The Legend. Johnson also has extensive experience directing actual concerts and tours. All this experience, however, doesn't result in a good show.
One Night With Janis Joplin suffers on a number of fronts. The first and most serious issue with the show is an absolutely horrible script. The play never can make up its mind if it's a singular concert experience or a journey through Janis Joplin's life. Many of the monologues that happen between or during songs are just one step up from ramblings. In the first act many of these monologues focus on "The Blues" and the other artists who influenced Joplin. Johnson seems obsessed with these influences and at times the show feels like it's more an essay on The Blues than a show about Joplin herself. This obsession manifests itself in the creation of another character who wanders in and out of the show, 'The Blues Singer'. This character comes on stage to represent many of the women who influenced Janis Joplin's music. The role is voiced wonderfully by Sabrina Elayne Carten, whose rendition of classic Nina Simone, Bessie Smith and Aretha Franklin songs are some of the absolute highlights of the show. Read more…
In The Heights Portland Tour Review
Lexi Lawson and Joseph Morales in In The Heights
The original off-Broadway (and eventually Broadway) production of In The Heights is a much better show than what I saw at the Keller during opening night. If there was ever a show that clearly demonstrated the acoustic limitations and the issues of bringing a show on the road it was In The Heights. Set in the Washington Heights neighborhood in New York, In The Heights takes a very conventional musical structure and infuses it with an eclectic mix of latin music, culture and dance. The core of the story is a Dominican named Usnavi, raised by a surrogate grandmother in the neighborhood, who struggles to run a small, often broken-down convenience store. Usnavi is surrounded by an cast of characters all dealing with the gentrification of the neighborhood and the struggle between planting roots or sprouting wings and finding a better life somewhere else. Thematically and musically there are a lot of notes lifted from Rent, with characters at the apex of dealing with their identity. This is no accident as many of the producers also worked on Rent. Read more…
Mike Daisey The Agony and Ecstasy of Steve Jobs – TBA:10
Mike Daisey - The Agony and The Ecstasy of Steve Jobs
I'm always surprised when I mention the TBA (Time Based Arts) Festival to friends only to find that it isn't really on their radar screens. It's a real shame as the ten day festival brings to Portland such a wide range of talent and is so well produced that it' almost inconceivable that so many people aren't even aware that it's going on.
This year, the festival brings back Mike Daisey one of my favorite monologists with a piece dedicated to all things Apple (both good and bad) in "The Agony And The Ecstasy Of Steve Jobs. Daisey follows in the line of great monologists like Spaulding Grey and performs a style of of monologue called extemporaneous monologue, where he tells a story based on a loose outline of notes. His work has an unique mix of the almost electric buzz of complete improvisation combined with a strong wire framework of something totally scripted. Read more…
Burn The Floor Interview with Creator Jason Gilkison
Burn The Floor
Dance has become a huge part of popular culture. Between TV shows "Dancing With The Stars" and "So You Think You Can Dance", more people are familiar with a wide variety of dance styles than ever before. Jason Gilkison, Director and Choreographer of Burn The Floor (as well as choreographer for So You Think You Can Dance), captures the excitement of dance into a show that's fresh off a successful run on Broadway and London's West End.
We spoke to Jason Gilkison about the impact of dance moving into the popular culture, the challenges of putting together a huge dance production, and his experience with Pasha and Anya from So You Think You Can Dance.
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